The Cambridge history of twentieth-century music



Publisher: Cambridge University Press in Cambridge, New York

Written in English
Published: Pages: 818 Downloads: 617
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Subjects:

  • Music -- 20th century -- History and criticism

Edition Notes

Includes bibliographical references and index.

Statementedited by Nicholas Cook and Anthony Pople.
SeriesThe Cambridge history of music
ContributionsCook, Nicholas, 1950-, Pople, Anthony.
Classifications
LC ClassificationsML197 .C26 2004
The Physical Object
Paginationxviii, 818 p. :
Number of Pages818
ID Numbers
Open LibraryOL23384587M
ISBN 100521662567
LC Control Number2003055131

The Cambridge history of twentieth-century music / edited by Nicholas Cook and Anthony Pople. Cambridge ; New York: Cambridge University Press, Music Library» Stacks» MLC26 During the 20th century there was a large increase in the variety of music that people had access to. Prior to the invention of mass market gramophone records (developed in ) and radio broadcasting (first commercially done ca. –20), people mainly listened to music at live Classical music concerts or musical theatre shows, which were too expensive for many lower-income people; on. The Cambridge History of Japan is a multi-volume survey of Japanese history published by Cambridge University Press (CUP). This was the first major collaborative synthesis presenting the current state of knowledge of Japanese history. The series aims to present as full a view of Japanese history as possible. The collaborative work brings together the writing of Japanese specialists and Author: John Whitney Hall, Marius Jansen, . Greil Marcus, author of Mystery Train, widely acclaimed as the best book ever written about America as seen through its music, began work on this new book out of a fascination with the Sex Pistols: that scandalous antimusical group, invented in London in and dead within two years, which sparked the emergence of the culture called punk.“I am an antichrist!” shouted singer Johnny Rotten.

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The Cambridge History of Twentieth-Century Music, first published inis an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first.

This wide-ranging and eclectic book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end. Book Description. At the beginning of the twentieth century 'music' meant the 'art' tradition of Western Europe and North America; by the end of the century that was just one tradition among many.

Written by a group of experts in the field, this book surveys what happened to the Western 'art' tradition alongside the development of jazz, popular music, and world music, linking the history of music with that of 5/5(2). The Cambridge History of Nineteenth-Century Music (The Cambridge History of Music) [Samson, Jim] on *FREE* shipping on qualifying offers.

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Book Description. The Cambridge History of American Music is the first study of music in the United States to be written by a team of scholars. The volume begins with a survey of the music of Native Americans and then explores the historical and cultural events of musical life in the period until Other contributors examine the growth of popular musics, including film and stage music, jazz, rock, Brand: Cambridge University Press.

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The Cambridge The Cambridge history of twentieth-century music book of Twentieth-Century Music. Edited by Nicholas Cook, Anthony Pople; Online ISBN:   The Cambridge History of Twentieth-Century Music, first published inis an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first.

This wide-ranging and eclectic book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end.4/5(8). The Cambridge History of Twentieth-Century Music, first published inis an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first.

This wide-ranging and eclectic book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end. کتاب‌آنلاین کتابخانه‌ی مجازی رایگان و طبقه‌بندی‌شده‌ای‌ست از پی‌دی‌اف‌های فارسی. The Cambridge History of Twentieth-Century Music, first published inis an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first.

This wide-ranging and eclectic book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end.5/5(2). The word ‘Cambridge’ is something more than a publisher’s imprint, for it locates this volume in a century-long tradition of Cambridge Histories and so emphasizes that this first large-scale, retrospective view of the twentieth century in music is a view from somewhere.

As the title would lead you to expect, it is history written from a distinct and relatively homogeneous geographical, social. The Cambridge History of Twentieth-Century Music, first published inis an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first.

This wide-ranging book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end. The Cambridge History of Twentieth-Century Music, first published inis an appraisal of the development of music in the twentieth century from the vantage-point of the twenty-first.

This wide-ranging and eclectic book traces the progressive fragmentation of the European 'art' tradition, and its relocation as one tradition among many at the century's end/5(3). "Music" referred only to the artistic, classical tradition of Western Europe and North America at the beginning of the twentieth century.

However, several different traditions emerged by the end of the century. Written by experts in the field, this book surveys how the Western tradition was affected by the development of jazz, popular music, and world music and links the history of music with Ratings: 3.

American Indian musics, past and present / Victoria Lindsay Levine -- Music in America: an overview (part 1) /William Brooks -- Secular music to / Kate van Winkle Keller, John Koegel -- Sacred music to / Nym Cooke -- African American music to / Jacqueline Cogdell Djedje -- Immigrant, folk, and regional musics in the nineteenth century / Michael Broyles -- Nineteenth-century.

The Cambridge History of Twentieth-Century Music Nicholas Cook, Anthony Pople (eds.) At the beginning of the twentieth century music meant the art tradition of Western Europe and North America by the end of the century that was just one tradition among many.

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The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and.

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